I Love Big Booty Shirt, hoodie, tank top, sweater and long sleeve t-shirt


Call it post-sartorial tailoring. As Sartori put it: “the craft has totally moved from the classic tailoring forms to these new forms. Practically, we’re building a new atelier in Novara for the construction of all these new jackets and suits and other garments that we are designing.” The models in the movie—some of them female wearing sized-down exact versions of the menswear—were clad in pieces in different colors, materials, and design that were yet all created to be interchangeable and intermingleable (like a trad gents tailoring wardrobe) but with a more realistically refined aesthetic. Half kimono jackets with internal belts, deep pocketed workwear jackets, I Love Big Booty Shirt fitted blousons, or long and languid duster jackets came variously in wadded silk or treated calf leather, or regenerated Trivero wool or cotton, or kangaroo, linen, hemp, or more, and were constructed using sartorial techniques (canvassing at the pockets, raglan sleeves). Some of the pieces were woven in a handsome abstract wool jacquard, but most relied on the matte or shine of the fabric for surface eye-appeal. The colors ranged from black, olive, vanilla, and navy to pastel green and pink.

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