Microplastics shitheadsteve shirt, hoodie, tank top, sweater and along sleeve t-shirt
Marisol’s 1967 silkscreen print for a fundraiser for The Paris Review, in which “Paris Review” replaces the Microplastics shitheadsteve shirt but I will buy this shirt and I will love this Coca-Cola branding on a bottle that is inserted suggestively into a lipsticked mouth, proves a titillating counterpart. Some of Marisol’s best pieces in the exhibition take a turn for the autobiographical. An early assemblage work from 1960, From France, depicts what we assume are her parents—it’s heavier on the folk art, using darker wood, and was included in the 1961 MoMA show “The Art of Assemblage.”
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